Working away on the Rollenhagen/Wither project, getting close to the press.
The Dutch artist Crispin van de Passe, who is credited with doing the copperplate engravings for Gabriel Rollenhagen's two emblem books, fathered four children, all of whom went on to establish their own reputations as engravers (Simon and William being the best known of the group). They learned working in their father's studios, first in Cologne and later in Utrecht. Crispin's influence on their work was such that scholars and print aficionados have questioned whether prints attributed to the father - like some of the engravings in Rollenhagen's books - were actually done by his children. Perhaps one clue to different hands could be found in the variation of calligraphy for the epigrams. The majority employ a lovely hand like the one shown above. But there are a few that exhibit a different, and less polished, hand. Three like this:
And then, for something completely different, this one:
Even if slightly wonky compared to the majority of the plates, the calligraphy is a wonderful component of the graphic; shame on whoever decided to cut them out of Wither's book.